{"id":163406,"date":"2024-02-05T16:34:43","date_gmt":"2024-02-05T15:34:43","guid":{"rendered":"https:\/\/rtvnp.rs\/?p=163406"},"modified":"2024-02-05T21:04:49","modified_gmt":"2024-02-05T20:04:49","slug":"bzeniceve-skulpture-izlozene-u-novopazarskoj-galeriji","status":"publish","type":"post","link":"https:\/\/arhiva.rtvnp.rs\/?p=163406","title":{"rendered":"Bzeni\u0107eve skulpture izlo\u017eene u novopazarskoj galeriji"},"content":{"rendered":"<p>U Galeriji MMC otvorena je izlo\u017eba skulptura Gorana Bzeni\u0107a koji se bavi jo\u0161 i fotografijom, scenografijom i mozaikom. U Novom Pazaru izla\u017ee prvi put i njegove \u0107e skulpture u ovda\u0161njoj galeriji biti izlo\u017eene do 20. januara.<\/p>\n<p>Urednica programa Galerije MMC Amra Hod\u017ei\u0107 Jejna govore\u0107i o autoru skulptura kazala je da je Bzeni\u0107 vajar koji prati aktuelne tendencije, te da je po pristupu neomodernista, isti\u010du\u010di da pristalice tog pravca negiraju subjektivnu percepciju sveta i njegovu li\u010dnu interpretaciju, jer zagovaraju univerzalnu istinu, a u ovoj oblasti to je poverenje u prioritet \u010diste skulpturalne forme.<\/p>\n<p>&#8221;Njegove skulpture ostavljaju utisak razigranosti oblika i materijala u kombinacijama koje su postignute kroz proces samospoznaje. On koristi svojstva izvornih materijala, u ovom slu\u010daju drveta oraha, duda, tre\u0161nje i hrasta stvaraju\u0107i oblike razli\u010ditih dimenzija i apstraktnih formi&#8230; Radovi su u sferi apstraktnih jedinica, delimi\u010dno pravilnih geometrijskih oblika. Koristi rezanje, tesanje, usecanje, nagorevanje i samim tim tretira povr\u0161ine na razli\u010dite na\u010dine gde glatke partije predstavljaju kontrast prirodnoj strukturi materijala. Sam taj pristup poja\u010dava ekspresivnost strukturalnih formi&#8221; kazala je Hod\u017ei\u0107 Jejna.<\/p>\n<p>Goran Bzeni\u0107 ro\u0111en \u00a0je u Trsteniku gde je zavr\u0161io srednju matemati\u010dku \u0161kolu , a potom Likovnu akademiju, vajarski smer u Pri\u0161tini. Pored skulpture bavi se fotografijom, scenografijom i mozaikom. U\u010desnik je mnogobrojnih kolonija u zemlji i inostranstvu. 2007. godine predstavlja Srbiju na Internacionalnom simpozijumu skulpture &#8220;Brankusijana&#8221; u Rumuniji. Izlagao je na mnogim grupnim izlo\u017ebama i samostalno u zemlji i inostranstvu.<\/p>\n<p>Realizovane skulpture u prostoru mu se nalaze u Trsteniku, Trgu \u017diu (Rumunija), Pe\u0161ti\u0161ani (Rumunija), Sevlijevo (Bugarska), Pavlikeni (Bugarska), \u0160umen (Bugarska)&#8230;<\/p>\n<p>Radi u Umetni\u010dkoj \u0161koli u Kraljevu kao profesor na predmetima vajanje, crtanje i vi\u0161emedijska umetnost. \u017divi i stvara u Donjoj Crni\u0161avi kod Trstenika.<\/p>\n<p>&nbsp;<\/p>\n<p>Senada Kali\u0107<\/p>\n<p><iframe loading=\"lazy\" title=\"Bzeni\u0107eve skulpture izlo\u017eene u novopazarskoj galeriji\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/lzEReonWmyI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bzeni\u0107a se pored skulpture bavi i fotografijom, scenografijom i mozaikom. Njegove \u0107e skulpture u ovda\u0161njoj Galeriji biti izlo\u017eene do 20. januara<\/p>\n","protected":false},"author":15,"featured_media":163407,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[4187,430,8702,144,8703],"class_list":["post-163406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura","tag-amra-hodzic-jejna","tag-galerija","tag-goran-bzenic","tag-izlozba","tag-skulpture"],"_links":{"self":[{"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/posts\/163406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=163406"}],"version-history":[{"count":0,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/posts\/163406\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/media\/163407"}],"wp:attachment":[{"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=163406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=163406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=163406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}