{"id":165864,"date":"2024-03-25T12:37:53","date_gmt":"2024-03-25T11:37:53","guid":{"rendered":"https:\/\/rtvnp.rs\/?p=165864"},"modified":"2024-03-25T19:58:18","modified_gmt":"2024-03-25T18:58:18","slug":"otvorena-izlozba-svedok-vremena","status":"publish","type":"post","link":"https:\/\/arhiva.rtvnp.rs\/?p=165864","title":{"rendered":"Otvorena izlo\u017eba \u201cSvedok vremena\u201d"},"content":{"rendered":"<p>Izlo\u017eba digitalnih grafika Slobodana Radi\u010devi\u0107a i slika Milene Radi\u010devi\u0107 pod nazivom \u201cSvedok vremena\u201d okupila je brojne ljubitelje ove vrste umetnosti. Jedan spoj dva umetnika kroz potpuno druga\u010dije medije otvara brojna pitanja i budi znati\u017eelju svih kako umetnika tako i onog koji posmatra ova umetni\u010dka dela.<\/p>\n<p>Izlo\u017eba \u201eSvedok vremena\u201cosmi\u0161ljena je tako da spoji umetni\u010dka istra\u017eivanja dva umetnika koja, kroz potpuno druga\u010dije medije, prave osvrt na vreme u kojem \u017eive i kriti\u010dki odgovaraju na zastupljene vrednosti i ideologije kako u \u017eivotu, tako i u umetnosti.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-165865 size-full\" src=\"https:\/\/rtvnp.rs\/wp-content\/uploads\/2024\/03\/izlozba-a.jpg\" alt=\"\" width=\"800\" height=\"787\" srcset=\"https:\/\/arhiva.rtvnp.rs\/wp-content\/uploads\/2024\/03\/izlozba-a.jpg 800w, https:\/\/arhiva.rtvnp.rs\/wp-content\/uploads\/2024\/03\/izlozba-a-300x295.jpg 300w, https:\/\/arhiva.rtvnp.rs\/wp-content\/uploads\/2024\/03\/izlozba-a-768x756.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>\u201cMilena i ja smo na\u0161e radove obra\u0111ivali kroz prizmu vremena gde se Milena uglavnom bavi pro\u0161lo\u0161\u0107u, gde tradicionalnu umetnost veza pretvara u modern oblike. Ja se s druge strane vi\u0161e bavim budu\u0107im tendencijama digitalne umetnosti. Cilj mi je da pokrenem diskusiju vezanu za digitalnu umetnost i pojmova koji se odnose na nju\u201d, kazao je umetnik Slobodan Radi\u010devi\u0107.<\/p>\n<p>Radovi na interaktivnim TV panelima predstavljaju modifikovane digitalne verzije poznatih umetni\u010dkih dela iz svetske i na\u0161e umetnosti, kao i narodne tradicije, ali vidljivih samo pod odre\u0111enim uslovima.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-165866 size-full\" src=\"https:\/\/rtvnp.rs\/wp-content\/uploads\/2024\/03\/IMG_20240322_193124.jpg\" alt=\"\" width=\"800\" height=\"532\" srcset=\"https:\/\/arhiva.rtvnp.rs\/wp-content\/uploads\/2024\/03\/IMG_20240322_193124.jpg 800w, https:\/\/arhiva.rtvnp.rs\/wp-content\/uploads\/2024\/03\/IMG_20240322_193124-300x200.jpg 300w, https:\/\/arhiva.rtvnp.rs\/wp-content\/uploads\/2024\/03\/IMG_20240322_193124-768x511.jpg 768w, https:\/\/arhiva.rtvnp.rs\/wp-content\/uploads\/2024\/03\/IMG_20240322_193124-272x182.jpg 272w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>\u201cUpotrebom filtera, \u00a0pomo\u0107u kog gledalac gleda sliku na ekranu, Slobodan problematizuje pojavu NFT tokena umetni\u010dkog dela, kao kapitala ali i valute u svetu gde digitalno potiskuje analogno. Na taj na\u010din postavlja pitanja o budu\u0107em mestu, analognom umetni\u010dkog radu, te tradicionalne slike u savremeno okru\u017eenju. S druge strane, Milena Radi\u010devi\u0107 se osvr\u0107a na tradiciju i vez kao metafori za samo spoznaju i skroz izgubljene vrednosti poput: istrajnosti, upornosti, strasti i ljubavi prema ratu. Za sve navedeno, potrebno je vreme koje izostaje u dana\u0161njem tempu \u017eivota\u201d, objasnila je za <a href=\"http:\/\/rtvnp.rs\">RTV Novi Pazar<\/a> moderator Lejla Pluncevi\u0107.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-165867 size-full\" src=\"https:\/\/rtvnp.rs\/wp-content\/uploads\/2024\/03\/IMG_20240322_193459.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https:\/\/arhiva.rtvnp.rs\/wp-content\/uploads\/2024\/03\/IMG_20240322_193459.jpg 800w, https:\/\/arhiva.rtvnp.rs\/wp-content\/uploads\/2024\/03\/IMG_20240322_193459-300x169.jpg 300w, https:\/\/arhiva.rtvnp.rs\/wp-content\/uploads\/2024\/03\/IMG_20240322_193459-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Da li \u0107e digitalna umetnost, koja u svetu finkcioni\u0161e kao ogromna industrija, \u010dije slike dosti\u017eu milionske cifre, postati prioritet ili ne na samim je ljubiteljima umetnosti. Izlo\u017eba \u201cSvedok vremena\u201d autora Slobodana i Milene Radi\u010devi\u0107 \u00a0bi\u0107e otvorena u <a href=\"https:\/\/www.kcnovipazar.rs\/prostori\/galerija-mmc\/\">Galeriji multimedijalnog centra \u00a0<\/a>do 4. aprila.<\/p>\n<p><iframe loading=\"lazy\" title=\"Otvorena izlo\u017eba \u201cSvedok vremena\u201d\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/yLZT4y31GQ8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Alma Ademovi\u0107<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Izlo\u017eba digitalnih grafika Slobodana Radi\u010devi\u0107a i slika Milene Radi\u010devi\u0107 pod nazivom \u201cSvedok vremena\u201d okupila je brojne ljubitelje ove vrste umetnosti. Jedan spoj dva umetnika kroz potpuno druga\u010dije medije otvara brojna pitanja i budi znati\u017eelju svih kako umetnika tako i onog koji posmatra ova umetni\u010dka dela. Izlo\u017eba \u201eSvedok vremena\u201cosmi\u0161ljena je tako da spoji umetni\u010dka istra\u017eivanja dva [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":165868,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-165864","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura"],"_links":{"self":[{"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/posts\/165864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=165864"}],"version-history":[{"count":0,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/posts\/165864\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=\/wp\/v2\/media\/165868"}],"wp:attachment":[{"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=165864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=165864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arhiva.rtvnp.rs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=165864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}